I listen to a lot of music (over 40 days worth in 2017 according to last.fm) and I find that few things help me keep the mood of a game foregrounded in my mind like a good soundtrack. Plus, I’ve discovered that when I’m playing music to a speaker via Bluetooth, I’m less likely to be on my phone, lest my players hear any stray sounds, letting me better model engagement during a game. To that end, I want to share some of my favorite music to game to; the albums that inspire and inflame my imagination and that I’ve found work well as background music for games as well. I’ll do a mini-review and cover the basics of what mood it helps me set.
FREE NELSON MANDOOMJAZZ – AWAKENING OF A CAPITAL
It’s easy to see a bit of Lovecraftian influence from the song titles on Awakening of a Capital, The Stars Unseen, The Pillars of Dagon, Erich Zann and Beneath the Sea all fit, but undoubtedly Howie would find the free jazz, doom metal inflected stylings degenerate and unpleasant – which, when you think about it, is probably what you want to serve as a soundtrack for a cosmic horror story. But another song title is the most evocative for me, and sometimes I think would serve well for as a theme song for certain D&D PC’s… “Poking the Bear” which stands out as the most playful of the album. Overall the album would serve well to bring a slightly discordant and jazzy background to any game of 20th or 21st century horror, balancing melancholic doom with a more propulsive free jazz style.
FREE NELSON MANDOOMJAZZ – AWAKENING OF A CAPITAL
It’s easy to see a bit of Lovecraftian influence from the song titles on Awakening of a Capital, The Stars Unseen, The Pillars of Dagon, Erich Zann and Beneath the Sea all fit, but undoubtedly Howie would find the free jazz, doom metal inflected stylings degenerate and unpleasant – which, when you think about it, is probably what you want to serve as a soundtrack for a cosmic horror story. But another song title is the most evocative for me, and sometimes I think would serve well for as a theme song for certain D&D PC’s… “Poking the Bear” which stands out as the most playful of the album. Overall the album would serve well to bring a slightly discordant and jazzy background to any game of 20th or 21st century horror, balancing melancholic doom with a more propulsive free jazz style.
- Vocals?...No
- Music Genre(s)… Doom jazz, free jazz
- Perfect for… 20th century games of cosmic horror.
- If you only grab one track, make it... The spasmodic and squawking “Poking the Bear”, where a yawping and frantic sax melody flies fitfully over a driving and insistent bass line and steady drumming and could serve well as the theme song for the more impulsive PCs of many a gaming table.
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